{"id":763,"date":"2026-08-10T14:56:08","date_gmt":"2026-08-10T14:56:08","guid":{"rendered":"https:\/\/www.fondationfal.org\/?p=763"},"modified":"2026-08-10T14:56:08","modified_gmt":"2026-08-10T14:56:08","slug":"cubes-de-vieillissement-epermientaux-a-demi-encastres-ou-encactres","status":"publish","type":"post","link":"https:\/\/www.fondationfal.org\/index.php\/2026\/08\/10\/cubes-de-vieillissement-epermientaux-a-demi-encastres-ou-encactres\/","title":{"rendered":"Cubes de vieillissement epermientaux \u00e0 demi encastr\u00e9s ou encactr\u00e9s"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u00bb est une installation d\u00e9jant\u00e9e, mi-sculpture, mi-cave, mi-rituel, plant\u00e9e au c\u0153ur des vignes d\u2019un domaine viticole du Sud (Languedoc ou Provence, entre rangs de syrah et grenache).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cinq cubes de 1,80 m de c\u00f4t\u00e9, b\u00e9ton brut et verre, sont enfonc\u00e9s \u00e0 45 % dans le sol, inclin\u00e9s \u00e0 15\u00b0. Chacun devient un tombeau-vivant d\u2019\u00e9levage :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Terre \u2192 dames-jeannes (inertie thermique du sol)<\/li>\n\n\n\n<li>Verre \u2192 bouteilles couch\u00e9es (lumi\u00e8re filtr\u00e9e, UV)<\/li>\n\n\n\n<li>Racine \u2192 jarres de gr\u00e8s (contact terre-argile)<\/li>\n\n\n\n<li>Vent \u2192 claustra ajour\u00e9 (oxydation lente)<\/li>\n\n\n\n<li>Nuit \u2192 b\u00e9ton opaque scell\u00e9 (noir absolu, 5 ans)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Un sixi\u00e8me cube, enti\u00e8rement vitr\u00e9, le \u00ab Cube-horloge \u00bb, contient une seule dame-jeanne et un cadran solaire grav\u00e9 ; ouverture programm\u00e9e dans 20 ans.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les faces ext\u00e9rieures sont peintes en monochrome jaune de chrome brillant (cadmium yellow ultra-satur\u00e9, effet miroir sous le soleil). Tedrub (et ses doubles Wollo, Mister Paint, Graffim\/Tektek) y a projet\u00e9 sa grammaire :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>faces Tedrub \u2192 volumes monumentaux, abstractions cubistes g\u00e9om\u00e9triques, plans qui basculent ;<\/li>\n\n\n\n<li>faces Wollo \u2192 formes organiques, gestuelles, \u00e9ph\u00e9m\u00e8res, presque v\u00e9g\u00e9tales ;<\/li>\n\n\n\n<li>faces Graffim \u2192 lettrage brut, tags primaires, \u00e9criture de mur ;<\/li>\n\n\n\n<li>faces Mister Paint \u2192 aplats satur\u00e9s, coulures hartungiennes, \u00e9clats de jaune pure \u00e9nergie.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Tout est filtr\u00e9 par l\u2019\u00e9nergie de Keith Haring (lignes continues, figures radiantes simplifi\u00e9es) et la rawness de Jean-Michel Basquiat (couronnes, griffures, textes fragment\u00e9s, urgence). Le r\u00e9sultat est un objet \u00e0 quatre lectures selon l\u2019angle d\u2019approche : sculpture, graffiti, totem, cave.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chaque cube est \u00ab ferm\u00e9 \u00bb par une serrure v\u00e9g\u00e9tale (houblon, cl\u00e9matite, vigne vierge, ch\u00e8vrefeuille). Ouvrir = couper la plante. Le rituel de d\u00e9gustation devient un geste de sacrifice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le v\u00e9g\u00e9tal est l\u2019horloge : l\u2019installation mute trois fois par an (d\u00e9bourrement, v\u00e9raison, taille). Le visiteur ne voit jamais deux fois la m\u00eame chose. Palette contrainte au jaune de chrome brillant + le vert vivant de la vigne. Rien d\u2019autre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u2019est \u00e0 la fois cave exp\u00e9rimentale, mausol\u00e9e du temps et signature polymorphe de Tedrub : ce qui reste (le b\u00e9ton) et ce qui dispara\u00eet (la plante, la lumi\u00e8re, le vin).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fiche technique<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Titre<\/strong> Cubes de vieillissement \u00e0 demi encastr\u00e9s (s\u00e9rie des cinq + Cube-horloge)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Artiste<\/strong> Tedrub  + aliases : Wollo, Mister Paint, Graffim, Tektek<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lieu<\/strong> Vignes d\u2019un domaine viticole du Sud de la France (exposition permanente \/ semi-permanente)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dimensions &amp; implantation<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>5 cubes principaux : 1,80 \u00d7 1,80 \u00d7 1,80 m<\/li>\n\n\n\n<li>Enfoncement : 45 % dans le sol<\/li>\n\n\n\n<li>Inclinaison : 15\u00b0<\/li>\n\n\n\n<li>1 Cube-horloge : m\u00eame taille, 100 % vitr\u00e9, cadran solaire grav\u00e9, date d\u2019ouverture 20 ans<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mat\u00e9riaux<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Structure : b\u00e9ton arm\u00e9 haute densit\u00e9 + panneaux de verre tremp\u00e9 \/ opaque selon le r\u00e9gime<\/li>\n\n\n\n<li>Traitement de surface : peinture monochrome jaune de chrome brillant (pigment cadmium, finition miroir, anti-UV, r\u00e9sistante aux intemp\u00e9ries)<\/li>\n\n\n\n<li>Conteneurs int\u00e9rieurs : dames-jeannes, bouteilles, jarres gr\u00e8s, claustra, b\u00e9ton scell\u00e9<\/li>\n\n\n\n<li>Serrures v\u00e9g\u00e9tales : plantes grimpantes locales (houblon, cl\u00e9matite, vigne vierge, ch\u00e8vrefeuille)<\/li>\n\n\n\n<li>Sol : terre de vignoble, mulch, drainage<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Styles &amp; signatures par face<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Tedrub \u2192 cubisme abstrait monumental, plans g\u00e9om\u00e9triques<\/li>\n\n\n\n<li>Wollo \u2192 abstraction organique, gestuelle, \u00e9ph\u00e9m\u00e8re<\/li>\n\n\n\n<li>Graffim \u2192 lettrage \/ tag brut, \u00e9criture de sol<\/li>\n\n\n\n<li>Mister Paint \u2192 aplats satur\u00e9s, coulures, \u00e9nergie pure<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">Influences assum\u00e9es : Keith Haring (ligne continue, figures radiantes), Jean-Michel Basquiat (raw, texte, urgence), cubisme abstrait, monochrome jaune de chrome brillant.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Saisonnalit\u00e9<\/strong> L\u2019installation change d\u2019aspect trois fois par an selon le cycle de la vigne. Les plantes grimpantes sont taill\u00e9es ou laiss\u00e9es cro\u00eetre selon le protocole d\u2019ouverture.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Protocole<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ouverture d\u2019un cube = coupe rituelle de la plante + d\u00e9gustation<\/li>\n\n\n\n<li>Cube-horloge : inviolable jusqu\u2019\u00e0 la date grav\u00e9e<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Budget approximatif (ordre de grandeur)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Cubes b\u00e9ton\/verre + fondations : 18-25 k\u20ac<\/li>\n\n\n\n<li>Peinture monochrome chrome + traitement : 4-6 k\u20ac<\/li>\n\n\n\n<li>Conteneurs + serrures v\u00e9g\u00e9tales + plantation : 3-5 k\u20ac<\/li>\n\n\n\n<li>Main-d\u2019\u0153uvre artistique + installation : 8-12 k\u20ac <strong>Total indicatif<\/strong> : 35-50 k\u20ac (selon finitions et logistique de chantier)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Maintenance<\/strong> Nettoyage des faces peintes 2\u00d7\/an, gestion des plantes grimpantes, contr\u00f4le structurel annuel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Deux vues photographiques r\u00e9alistes 4K<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/assets.grok.com\/users\/f75f2643-e8c6-430b-b017-85714800295a\/generated\/e8d5435d-d58c-473c-8582-3c0e8092a1c4\/image.jpg?ssl=1\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"687\" data-attachment-id=\"764\" data-permalink=\"https:\/\/www.fondationfal.org\/index.php\/2026\/08\/10\/cubes-de-vieillissement-epermientaux-a-demi-encastres-ou-encactres\/image-128\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-49.jpg?fit=1168%2C784&amp;ssl=1\" data-orig-size=\"1168,784\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"image\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-49.jpg?fit=1024%2C687&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-49.jpg?resize=1024%2C687&#038;ssl=1\" alt=\"\" class=\"wp-image-764\" srcset=\"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-49.jpg?resize=1024%2C687&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-49.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-49.jpg?resize=768%2C516&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-49.jpg?w=1168&amp;ssl=1 1168w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00bb est une installation d\u00e9jant\u00e9e, mi-sculpture, mi-cave, mi-rituel, plant\u00e9e au c\u0153ur des vignes d\u2019un domaine viticole du Sud (Languedoc ou Provence, entre rangs de syrah et grenache). Cinq cubes de 1,80 m de c\u00f4t\u00e9, b\u00e9ton brut et verre, sont enfonc\u00e9s \u00e0 45 % dans le sol, inclin\u00e9s \u00e0 15\u00b0. Chacun devient un tombeau-vivant d\u2019\u00e9levage : [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":765,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"yes","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[13,12,10,11,8],"tags":[],"class_list":["post-763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-land-art","category-photographie","category-projet","category-projets-a-venir","category-sculpteur"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-50.jpg?fit=1168%2C784&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/posts\/763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/comments?post=763"}],"version-history":[{"count":1,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/posts\/763\/revisions"}],"predecessor-version":[{"id":766,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/posts\/763\/revisions\/766"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/media\/765"}],"wp:attachment":[{"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/media?parent=763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/categories?post=763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/tags?post=763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}