{"id":755,"date":"2026-08-10T14:35:18","date_gmt":"2026-08-10T14:35:18","guid":{"rendered":"https:\/\/www.fondationfal.org\/?p=755"},"modified":"2026-08-10T14:35:18","modified_gmt":"2026-08-10T14:35:18","slug":"anamorphose","status":"publish","type":"post","link":"https:\/\/www.fondationfal.org\/index.php\/2026\/08\/10\/anamorphose\/","title":{"rendered":"anamorphose"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Au c\u0153ur des rangs de vignes d\u2019un domaine du Sud (Provence ou Languedoc, soleil rasant, terre ocre, ceps align\u00e9s), Tedrub d\u00e9ploie une anamorphose g\u00e9ante d\u2019une feuille de vigne rouge. La feuille est d\u00e9compos\u00e9e en dizaines d\u2019\u00e9l\u00e9ments fixes, chacun plant\u00e9 sur un piquet m\u00e9tallique (piquelets type viticole renforc\u00e9s). Les fragments sont peints en monochrome <strong>jaune de chrome brillant<\/strong> (effet miroir m\u00e9tallique intense, surface laqu\u00e9e), dans un langage abstrait-cubiste qui fusionne :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>les lignes \u00e9nergiques et les formes simplifi\u00e9es de Keith Haring,<\/li>\n\n\n\n<li>la fragmentation g\u00e9om\u00e9trique et les plans bris\u00e9s cubistes,<\/li>\n\n\n\n<li>le geste brut, les tags et la charge symbolique de Jean-Michel Basquiat,<\/li>\n\n\n\n<li>l\u2019abstraction polymorphe et les assemblages de Tedrub \/ Wollo.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Depuis <strong>un seul point de vue pr\u00e9cis<\/strong> (rep\u00e9r\u00e9 au sol par une marque discr\u00e8te), les fragments s\u2019alignent parfaitement et recomposent une immense feuille de vigne rouge aux nervures en relief chrome-jaune. Sous tous les autres angles, l\u2019installation se lit comme un chaos de totems m\u00e9talliques jaunes, d\u2019ar\u00eates vives et de plans obliques qui dialoguent avec les ceps.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Flanqu\u00e9e sur une ligne de piquets parall\u00e8les : une <strong>banderole-fresque de 20 m\u00e8tres<\/strong> de b\u00e2che industrielle tendue, peinte fa\u00e7on Graffim (lettrage brut, tags, coulures, \u00e9criture spontan\u00e9e). Elle \u00ab manifeste \u00bb l\u2019existence des aromatiques du terroir comme une banderole de manifestation urbaine. Des recettes ultra-simples (4 ingr\u00e9dients maximum) y sont tagu\u00e9es en lettres capitales et en \u00e9criture Basquiat-esque. Les visiteurs sont invit\u00e9s \u00e0 les corriger, rayer ou compl\u00e9ter \u00e0 la bombe (spray fourni), transformant la fresque en \u0153uvre vivante et participative.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019ensemble est d\u00e9jant\u00e9, militant et sensoriel : la feuille n\u2019existe que sous un angle, les recettes se r\u00e9\u00e9crivent, le jaune chrome brille sous le soleil du Sud comme un cri plastique au milieu du vert des vignes.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Fiche technique<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Titre<\/strong> <em>Feuille Rouge Anamorphique \u2013 Manifeste des Aromatiques<\/em> (ou <em>Anamorphose Vigne Rouge \/ Graffim Recipes<\/em>)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Artiste<\/strong> Tedrub (Alain Burdet) Alias : Wollo, Mister Paint, Tektek, Graffim<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ann\u00e9e \/ p\u00e9riode<\/strong> 2026 (projet site-specific)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lieu<\/strong> Rang de vignes d\u2019un domaine viticole du Sud de la France (exposition en plein air, orient\u00e9e sud-ouest pour le soleil rasant)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dimensions<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Zone anamorphose : environ 12 \u00d7 8 m (surface au sol des piquets)<\/li>\n\n\n\n<li>Hauteur des \u00e9l\u00e9ments : 1,20 m \u00e0 2,80 m<\/li>\n\n\n\n<li>Banderole : 20 m de long \u00d7 1,80 m de haut<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mat\u00e9riaux<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Piquets m\u00e9talliques (acier galvanis\u00e9 ou inox, type piquets de vigne renforc\u00e9s)<\/li>\n\n\n\n<li>\u00c9l\u00e9ments de la feuille : plaques d\u00e9coup\u00e9es (aluminium ou MDF r\u00e9sin\u00e9 \/ carton r\u00e9sin\u00e9 trait\u00e9) peintes en jaune de chrome brillant monochrome (laque m\u00e9tallis\u00e9e haute r\u00e9sistance UV et intemp\u00e9ries)<\/li>\n\n\n\n<li>B\u00e2che PVC ou poly\u00e9thyl\u00e8ne renforc\u00e9e 20 m, peinte acrylique \/ bombes a\u00e9rosol Graffim<\/li>\n\n\n\n<li>Syst\u00e8me de fixation : colliers et haubans discrets pour r\u00e9sistance au mistral<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Technique<\/strong> Anamorphose optique (calcul g\u00e9om\u00e9trique + maquette 3D pr\u00e9alable). Peinture monochrome jaune de chrome brillant + interventions graffitistes. Participation publique (correction des recettes \u00e0 la bombe).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Style &amp; r\u00e9f\u00e9rences<\/strong> Abstrait-cubiste monochrome chrome-jaune + \u00e9nergie Haring + fragmentation Basquiat + abstraction polymorphe Tedrub\/Wollo\/Graffim. Message : existence et transmission des aromatiques du terroir, droit \u00e0 la recette libre, art vivant et \u00e9ph\u00e9m\u00e8re.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dur\u00e9e \/ conservation<\/strong> \u00c9ph\u00e9m\u00e8re \u00e0 semi-permanente (6 \u00e0 18 mois selon exposition aux intemp\u00e9ries). Entretien : nettoyage des surfaces chrome, retouches UV, possibilit\u00e9 de d\u00e9montage et r\u00e9installation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Interaction<\/strong> Point de vue unique mat\u00e9rialis\u00e9 au sol. Bombe de peinture \u00e0 disposition des visiteurs pour intervenir sur les recettes de la banderole.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Production<\/strong> Calcul anamorphique, d\u00e9coupe laser ou manuelle des fragments, peinture laqu\u00e9e, montage in situ sur piquets existants ou ajout\u00e9s.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"687\" data-attachment-id=\"757\" data-permalink=\"https:\/\/www.fondationfal.org\/index.php\/2026\/08\/10\/anamorphose\/image-125\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-46.jpg?fit=1168%2C784&amp;ssl=1\" data-orig-size=\"1168,784\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"image\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-46.jpg?fit=1024%2C687&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-46.jpg?resize=1024%2C687&#038;ssl=1\" alt=\"\" class=\"wp-image-757\" srcset=\"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-46.jpg?resize=1024%2C687&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-46.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-46.jpg?resize=768%2C516&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-46.jpg?w=1168&amp;ssl=1 1168w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Au c\u0153ur des rangs de vignes d\u2019un domaine du Sud (Provence ou Languedoc, soleil rasant, terre ocre, ceps align\u00e9s), Tedrub d\u00e9ploie une anamorphose g\u00e9ante d\u2019une feuille de vigne rouge. La feuille est d\u00e9compos\u00e9e en dizaines d\u2019\u00e9l\u00e9ments fixes, chacun plant\u00e9 sur un piquet m\u00e9tallique (piquelets type viticole renforc\u00e9s). Les fragments sont peints en monochrome jaune de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":756,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[13,12,10,11,8],"tags":[],"class_list":["post-755","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-land-art","category-photographie","category-projet","category-projets-a-venir","category-sculpteur"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.fondationfal.org\/wp-content\/uploads\/2026\/08\/image-45.jpg?fit=1168%2C784&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/posts\/755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/comments?post=755"}],"version-history":[{"count":1,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/posts\/755\/revisions"}],"predecessor-version":[{"id":758,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/posts\/755\/revisions\/758"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/media\/756"}],"wp:attachment":[{"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/media?parent=755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/categories?post=755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fondationfal.org\/index.php\/wp-json\/wp\/v2\/tags?post=755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}